Notes on TEI and Markup Fundamentals workshop

My post at Critical Digital Humanities on a recent workshop: TEI and Markup Fundamentals http://cdh.ucr.edu/2014/02/16/notes-on-tei-and-markup-fundamentals-workshop/

On February 13th I attended a workshop on TEI and Markup Fundamentals sponsored by the Graduate Quantitative Methods Program. The workshop was given by Rochelle Gold and Kimberly Hall from the Department of English at UC Riverside.

TEI (Text Encoding Initiative) is a method of encoding texts with markup language for digital representation. TEI markup focuses on rendering the semantic qualities of texts more visible. For example, sentences and clauses can be marked within a text, as well as the lines and features of a poem. This granular level of encoding allows for digital representations of these texts to carry details and information beyond their normal forms, which is valuable for critical interpretation.

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(Revised and republished April 19th, 2025)


Event Archive: Rethinking Debates on Digital Learning . 12 Feb 2014

My post at Critical Digital Humanities on a recent talk:

CDH Event Archive: Rethinking Debates on Digital Learning

Yesterday CDH sponsored a talk by Professor Juliette Levy of the Department of History at UC Riverside. In her discussion, Professor Levy described her own evolution toward using digital technology in order to broaden the learning experience for her students.

Professor Levy’s talk began with a common experience many in academia have shared — traditional methods of teaching are not being adapted to the changing needs of students in our modern world.

The RSA talk by Sir Ken Robinson, which was turned into an animated video, was central to describing this need for change. There is a great chasm between the needs of students and the pace of innovation within the classroom.

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(Revised and republished April 19th, 2025)


CDH event: Animated Music Screening and Talk - May 30th

CDH Keefer event poster.

Cindy Keefer, Archivist, Curator & Director . Center for Visual Music

Preserving Visual Music : The Archives of the Center for Visual Music

THURSDAY . May 30, 2013 . 4:30 PM . INTN 1113 . Refreshments served .

Cindy Keefer, Director of the Center for Visual Music Los Angeles, will discuss and screen work by pioneers of kinetic art, abstract animation and pre-digital cinema from CVM's archives. CVM is a Los Angeles archive dedicated to visual music, experimental animation and abstract media.  CVM preserves and promotes films by Oskar Fischinger, Jordan Belson, Charles Dockum, Mary Ellen Bute, Jules Engel, Harry Smith and others, as well as contemporary artists. Keefer will screen work from CVM's archives by Fischinger and Belson, plus Dockum's Mobilcolor Projections, Bute's Abstronics (an early oscilloscope film), a short Bute documentary, and more. She will also discuss Belson's now legendary 1950s Vortex Concerts, CVM's work with the Fischinger legacy, current preservation work, and Raumlichtkunst, the new HD 3-screen reconstruction of Fischinger's 1920s multiple-projector performances, recently exhibited at the Whitney Museum, the Tate Modern, and scheduled for exhibition at the Palais de Tokyo in Paris in summer 2013.

This is the last event Critical Digital Humanities will host for the 2012-2013 season. Please join us for this exciting presentation. [cdh.ucr.edu](http://cdh.ucr.edu)

(Revised and republished April 23rd, 2025)


Geographies of Detention at UCR Arts Block

UCR ARTSblock presents the exhibition: Geographies of Detention: From Guantánamo to the Golden Gulag

June 1 – September 7, 2013*

California Museum of Photography, UCR ARTSblock

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